Performer: Various
Title: The John Reid Collection From The Arkansas Arts Center: New Orleans Jazz 1940-1944
Released: 1992
Style: Dixieland
Rating: 4.4
Votes: 701
Other formats: WAV DXD MIDI MP1 DTS MP2 FLAC
Dixieland New Orleans Jazz. June 17, 1940 - June 24, 1944. The John Reid Collection 1940-1944. American Recordings 44. CD.
All the great songs and lyrics from the "The John Reid Collection 1940-1944" album ont he Web's largest and most authoritative lyrics resource. Style:MLA Chicago APA. "The John Reid Collection 1940-1944 Album.
Count: 20. Views: 1. The John Reid Collection from the Arkansas Arts Center tracks. Nighthawk Shuffle #1.
New Orleans has always been a magical place when it comes to music. One of the great musical ‘hotbeds’ not just of America but the world! The Creole people: (a mix of French, Spanish, African American and Native Indian) were always going to set the scene when it came to both Jazz and Blues.
As the New Orleans Jazz and Heritage Festival kicks off on Friday, thousands flock to the city to pay tribute to the birthplace of jazz and conjure visions of a colorful musical history. Long before Bourbon Street became a hub for tourists weighed down with plastic beads, musicians advertised performances by playing in the backs of wagons, the details of upcoming shows hand-lettered on wooden signs. It didn't matter whether the venue was a basement club or a neighbor's living room
1. Perdido Street Blues - Louis Armstrong. 13. New Salty Dog - Sam Collins. 14. Louisiana Glide - Blind Leroy Garnett. 15. Trouble in Mind - Bertha "Chippie" Hill, Richard M Jones.
So between catching jazz headliners like Terence Blanchard and Branford Marsalis, seeing the struggling, novel and young is one of the festival's rewards for spectators willing to expand their horizons. I always get there early and do the center field first, said Lynda Hargroder, an employee at a local charity hospital who's been going to the festival for more than 30 years. A lot of times for me the best artists are the ones who aren't getting the biggest billing.
In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular music towards a more challenging "musician's music. Differing greatly from swing, early bebop divorced itself from dance music, establishing itself more as an art form but lessening its potential popular and commercial value. Since bebop was meant to be listened to, not danced to, it used faster tempos
1 | –John Reid | AnnouncementPresenter – John Reid |
2 | –New Orleans Pioneers | BluesBass [String Bass] – George Foster*Clarinet – Alphonse Picou, Louis NelsonDrums – Paul BarbarinGuitar – Louis KeppardPiano – Sidney BechetTrumpet – Peter Bocage* |
3 | –New Orleans Pioneers | Egyptian Fantasy #1Bass [String Bass] – George Foster*Clarinet – Alphonse Picou, Louis NelsonDrums – Paul BarbarinGuitar – Louis KeppardPiano – Sidney BechetTrumpet – Peter Bocage* |
4 | –New Orleans Pioneers | PanamaBass [String Bass] – George Foster*Clarinet – Alphonse Picou, Louis NelsonDrums – Paul BarbarinGuitar – Louis KeppardPiano – Walter DecouTrumpet – Peter Bocage* |
5 | –New Orleans Pioneers | Bucket Got A Hole InBass [String Bass] – George Foster*Clarinet – Alphonse Picou, Louis NelsonDrums – Paul BarbarinGuitar – Louis KeppardPiano – Walter DecouTrumpet – Peter Bocage* |
6 | –New Orleans Pioneers | Olympia RagBass [String Bass] – George Foster*Clarinet – Alphonse Picou, Louis NelsonDrums – Paul BarbarinGuitar – Louis KeppardPiano – Walter DecouTrumpet – Peter Bocage* |
7 | –New Orleans Pioneers | Sister KateBass [String Bass] – George Foster*Clarinet – Alphonse Picou, Louis NelsonDrums – Paul BarbarinGuitar – Louis KeppardPiano – Walter DecouTrumpet – Peter Bocage* |
8 | –New Orleans Pioneers | High SocietyBass [String Bass] – George Foster*Clarinet – Alphonse Picou, Louis NelsonDrums – Paul BarbarinGuitar – Louis KeppardPiano – Walter DecouTrumpet – Peter Bocage* |
9 | –New Orleans Pioneers | Egyptian Fantasy #2Bass [String Bass] – George Foster*Clarinet – Alphonse Picou, Louis NelsonDrums – Paul BarbarinGuitar – Louis KeppardPiano – Sidney BechetTrumpet – Peter Bocage* |
10 | –Alphonse Picou, Burnell Santiago, Emmanuel Perez, John Reid , Louis Nelson, Sidney Bechet | Talking RecordsSpeech – Alphonse Picou, Burnell Santiago, Emmanuel Perez , John Reid , Louis Nelson, Sidney Bechet |
11 | –Burnell Santiago | St. Louis BluesPiano – Burnell Santiago |
12 | –Burnell Santiago | Deep In The Heart Of TexasPiano – Burnell Santiago |
13 | –Sidney Bechet | Bechet's Message To BunkRecorded By – Mary KaroleySpeech – Sidney Bechet |
14 | –Sidney Bechet | Maple Leaf RagRecorded By – Mary KaroleySoprano Saxophone – Sidney Bechet |
15 | –Sidney Bechet | Baby I'd Love To Steal YouRecorded By – Mary KaroleySoprano Saxophone – Sidney Bechet |
16 | –Sidney Bechet | Weary BluesRecorded By – Mary KaroleySoprano Saxophone – Sidney BechetTrumpet [On Disc] – Bunk Johnson |
17 | –George Baquet's Swingsters | BluesBass [String Bass] – Harold HolmesClarinet, Tenor Saxophone – George BaquetDrums – Shorty WilliamsGuitar – Unknown ArtistPiano – Billy Carter |
18 | –George Baquet's Swingsters | Back To Bak #2Alto Saxophone – Unknown ArtistBass [String Bass] – Harold HolmesClarinet, Tenor Saxophone – George BaquetDrums – Shorty WilliamsGuitar – Unknown ArtistPiano – Billy Carter Trumpet – Unknown Artist |
19 | –George Baquet's Swingsters | Nighthawk Shuffle #1Alto Saxophone – Unknown ArtistBass [String Bass] – Harold HolmesClarinet, Tenor Saxophone – George BaquetDrums – Shorty WilliamsGuitar – Unknown ArtistPiano – Billy Carter Trumpet – Unknown Artist |
20 | –George Baquet's Swingsters, Sidney Bechet | Blues With BechetBass [String Bass] – Harold HolmesClarinet, Tenor Saxophone – George BaquetDrums – Shorty WilliamsGuitar – Unknown ArtistPiano – Billy Carter Soprano Saxophone – Sidney Bechet |