Torvald Helmer possesses many obvious character flaws. For one, he constantly talks down to his wife. She understands that her husband sees her as an innocent, child-like persona, and she struggles to maintain the façade. She puts away her sewing needles and unfinished dress because she knows that her husband does not wish to see a woman toiling away.
Everything you ever wanted to know about Torvald Helmer in A Doll's House, written by masters of this stuff just for yo. He's incredibly overbearing. He treats Nora more like a child than a wife. He calls her silly names and scolds her for eating macaroons. Toward the end of the play, he even says that Nora is "doubly his own" because she has "become both wife and child" (. 57). Cue the collective "eeeeew. ) When he gets her to do things like dress up and dance for him, we see Nora is actually less than a child in Torvald's mind. She's only a plaything-a doll, if you will.
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The House of Love is the second album by British alternative rock band The House of Love, released on Fontana Records in 1990. It should not be confused with the band's debut album, which is also called The House of Love. It is generally referred to either as Fontana (after the record label it was issued on) or The Butterfly album (after Trevor Key's sleeve art).
Character Biography: Nora Helmer is a housewife in her late thirties. She has been married to Torvald Helmer for eight years, and they have three children. They have been married for eight years and have three children. Torvald has recently been hired as manager of the mutual bank and receives a big salary. The Helmers are wealthy. They live in a nice home in Norway and have expensive furnishings and a maid.
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About A Doll's House. Summary and Analysis. Not only does he stand for the world of men and the world of business which has no place in her house-bound life, but he represents society at large, including all the community and legal ethics which do not concern her and religious ethics in which she has had no training. Ironically Ibsen sets up Torvald according to the same representation. For the author, Torvald stands for all the individual-denying social ills against which Ibsen has dedicated all his writing. As a victim of his narrow view of society, Torvald inspires sympathy rather than reproach