The Great Arrival (LP, Album, Gat). SD 1466, ATS ST 06012. SU 907. Sérgio Mendes. Great Arrival (LP, Album). Universal Record Club.
This album features vocals by Bonnie Bowden and Sondra Catton. Davy" (Bernard Ighner). I Believe (When I Fall In Love It Will Be Forever)" (Stevie Wonder, Syreeta Wright). All in Love Is Fair" (Stevie Wonder). Let Them Work It Out" (Thom Bell, Linda Creed). Here Comes The Sun" (George Harrison). If I Ever Lose This Heaven" (Leon Ware, Pam Sawyer).
Sérgio Mendes is the 1983 studio album by Sérgio Mendes on A&M Records, his first Top 40 album in nearly a decade and a half, and was accompanied by his biggest chart single ever, "Never Gonna Let You Go", a song written by Barry Mann & Cynthia Weil that reached on the Billboard Hot 100 charts. VooDoo" (Douglas Brayfield, Ronaldo Monteiro De Souza, Ivan Lins, Vitor Martins) 3:55. Never Gonna Let You Go" (Barry Mann, Cynthia Weil) 4:15.
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The Great Arrival (Cheganca), 02:18. Monday Monday, 02:30. Cancao Do Amanhecer, 02:48. Here's That Rainy Day, 02:20.
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On this page you can listen to mp3 music free or download album or mp3 track to your PC, phone or tablet. Release title: Sérgio Mendes - Great Arrival. Photo of Sérgio Mendes - Great Arrival. More albums of Sérgio Mendes: Picardía. Never Gonna Let You Go. Genre is Jazz Latin. This album was released on the label Atlantic (catalog number 1466). This album was released in 1966 year. Download mp3. Length of track
Is The Great Arrival the best album by Sérgio Mendes? BestEverAlbums. com brings together thousands of 'greatest ever album' charts and calculates an overall ranking. This album At A Glance. The Great Arrival by Sérgio Mendes (1966) Overall rank: 55,172nd. Accolades: Top albums of 1966 ( 345th ). Top albums of the 1960s ( 3,192nd ). Best albums of all time ( 55,172nd ).
CD - WEA International. The hype-laden title undoubtedly refers to Sergio Mendes' move to America two years before this album's release, settling in Los Angeles, where this record was made. Clearly he was out to make it big in the . for this album tries to move a bit away from Brazil by spotlighting Mendes' jazz and pop piano against the elaborate charts of Clare Fischer, Bob Florence and Dick Hazard. There are contributions from the best-known Brazilians (Edu Lobo, Jobim of course) as well as up-to-the-minute pop tunes "Monday, Monday" and "Don't.